Over the years, he gradually transformed his residence to the famous one we know today- an East Asian-inspired garden with a Japanese bridge over a large pond, brimming with beautiful water lilies of various breeds. Monet fell in love with his home and garden. Because of the constancy of the subjects, he was able to show the infinite variations that weather and atmosphere had, able to depict how drastically a single scene could change from morning to night, from a sunny day to a gloomy one. He painted works that would become the best-known series of his career- series such as Haystacks, and Water Lilies. In 1883, he finally settled in the village of Giverny where he would spend the next half of his life. He moved from village to village, studying the effects of light and color across various subjects. In this period, he began to document the scenery of the French countryside. Landscape Art and Final Years Coastal landscape (1864) During this time, he entrusted the care of his children to the wife of a friend, Alice Hoschedé, who would later become his second wife. He spent several months in mourning before he began to paint in earnest again. Despite the criticism, the group of artists found patrons who appreciated them, and continued on with several more exhibitions with greater success in the following years. The textured brushwork was deemed sloppy, while the application of paint like mud slung upon the canvases. They dubbed the works by these young artists unfinished, unpolished. The exhibition was not initially well-received by critics. It was at this exhibition that he displayed a work titled ‘Impression, Sunrise’ – a work that would lend its name to the future Impressionists. In 1874, finally tired of the Académie’s strictures, he became part of an artist group that held their own exhibition featuring their avant-garde works. Monet and the Impressionists Impression, Sunrise (1874) Fortunately, he survived the attempt and lived to see his fortunes turn. Facing countless rejections and prolonged poverty, Monet attempted suicide in 1868. They considered his paintings to be amateur and unrefined. He submitted several paintings to the Académie des Beaux-Arts for their exhibitions at the Salon de Paris during this time, hoping to support his new family (Camille gave birth to their first son in 1867), but the conservative Académie did not appreciate his vision. She became his muse and featured in many of his paintings, such as The Woman in the Green Dress. In his twenties, Monet met his future wife Camille Doncieaux, who was the model for a painting he worked on with his friend Frédéric Bazille. Rejections The Woman in a Green Dress (1866) Monet became friends with several artists who would become well-known names during his time in the course, such as Alfred Sisley and Pierre-Auguste Renoir. His aunt was supportive of his artistic career, unlike his father, and was able to sponsor him in an advanced art course in Paris. Still in major disagreement with his father over his future, Monet moved out to live with his aunt, Marie-Jeanne Lecadre. Monet’s mother died the year after he began working on his landscapes. It was during this period that Monet first began to consider the use of light in his paintings seriously, inspired by the beautiful play of sunlight in Boudin’s maritime works. He taught Monet how to use oil paints to capture the scenery as it appeared, rather than work tedious hours from various sketches and memory on minutely refined landscapes as was the custom. Boudin was a pioneer in the then-new art of painting en plein air, and he felt that the young Monet showed much promise. He came into frequent clashes with his father over his art- the latter wanted him to focus more on his classes and join the family business, while Monet had little interest in ship-chandling and being a grocer.Īs he persisted in selling his drawings, the artworks caught the eye of Eugene Boudin. From there, the young and enterprising Monet went on to create charcoal caricatures of his teachers and fellow students, which he then sold at ten to twenty francs each at a local shop. Monet received his first formal lessons in art through Jacques-François Ouchard, who was a teacher at his school and also formerly a student of the famous Neoclassical artist Jacques-Louis David. Growing up, Monet loved art- a passion that was most likely fueled by his artistic mother, who had herself been a competent artist in various fields. His father Adolphe Claude Monet was a businessman, and his mother Louise Aubreé had been a singer before her marriage. Oscar-Claude Monet was born 18 November 1840 in Paris. Claude Monet: Early Life Self Portrait in Beret (1886)
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